My fascination with Antarctica began with a recent find from World of Books: a volume titled "Discovery Illustrated". It chronicles the 1901 Antarctic expedition of the scientific research ship SS Discovery. Purpose-built in Dundee and launched on 21 March 1901, the ship sailed under the command of Robert Falcon Scott, and its discoveries and hardships were recorded by two remarkable explorers.
Reginald Skelton R.N., who took on the role of chief photographer, created an extraordinary visual record of the voyage. Dr Edward Wilson, the ship’s doctor, became renowned for the many watercolour paintings he produced both at sea and on the ice.
 
The Artist’s Objectives for Blizzard
By using a triangular grouping of the three figures I wanted to purvey a stable yet dynamic composition making the central figure an obvious focal point. At the same time the forward motion, I hope, pulls you into the storm with them.
 
Using diagonal strokes I wanted to add urgency and guide the eye across the piece.
 
Palette Choices
Using a limited palette of icy blue, white and muted grey to convey the cold and isolation found in the antarctic was a deliberate choice. Reviewing the photos and artworks of Wilson and Skelton it was clear that the antarctic creates a barren almost colourless harsh environment so limited palette was the obvious choice.
 
Sense of Movement 
This is one of the areas I worked hard to simulate and I hope is one of the works strongest aspects.
The slashing, directional strokes effectively simulate wind and snow.
The figures leaning forward reinforce the idea of struggling against the elements.
The partially obscured legs and feet make them feel like they're emerging through blowing snow.